In recital, Russell Sherman has appeared on Carnegie Hall’s Keyboard Virtuoso Series, California’s Ambassador Foundation Series, the Distinguished Artists Series at New York’s Tisch Center for the Arts at the 92nd Street Y, and the Bank of Boston Celebrity Series. He has performed at Lincoln Center’s Alice Tully Hall, Sarasota’s Van Wezel Performing Arts Hall, Boston’s Symphony Hall, Isabella Stewart Gardner Museum, Jordan Hall, Columbia University’s Miller Theater, the Metropolitan Museum of Art, and Chicago’s Orchestra Hall. Additionally, he has appeared at the Ravinia Festival, the Hollywood Bowl and the Mostly Mozart Festival, as well as recitals at Spain’s Santander Festival and Germany’s Ruhr Triennale Festival. In March 2010, he performed with Mark Morris Dance Group in “Mozart Dances”

Mr. Sherman is a prolific recording artist. He has recorded the five Beethoven concertos with the Czech Philharmonic and the Monadnock Festival Orchestra, and the complete Beethoven sonatas, recorded as five dual-CD sets (each having been released individually and as a complete set). The entire Beethoven sonatas project has been called “a set for the ages” by Bernard Jacobson in Fanfare. This makes Mr. Sherman the first American pianist to have recorded all of the sonatas and concertos of Beethoven. His earlier recording of Liszt’s Transcendental Études was critically acclaimed: Anthony Tommasini in a 1999 New York Times piece said, “Several impressive recordings of Liszt’s Transcendental Études prove that these audaciously difficult works are actually playable and triumphantly pianistic. But none make Liszt’s visionary understanding of what the piano could do more palpable and exciting than Russell Sherman’s extraordinary 1990 recording.”

Mr. Sherman has also recorded Gershwin’s Piano Concerto in F, Brahms’ Variations on a Theme by Paganini, Op. 35 and Fantasies, Op. 116, Chopin’s 24 Preludes, Op. 28, Schubert’s Sonata in D Major, D. 850 and Sonata in B-flat Major, D. 960, both Grieg and Schumann concertos and works by Liszt, including the B minor Sonata, Don Juan Fantasy, and transcriptions. He has also recorded Mozart’s two concertos in minor keys plus solo fantasies with the Orchestra of Emmanuel Music under Craig Smith. Additional recordings include a GM Recording CD, Premieres & Commissions, in which he performs contemporary repertoire by Schoenberg, Schuller, Helps, Perle and Shapey, which, with the exception of Schoenberg’s Six Piano Pieces, Mr. Sherman has personally premiered and commissioned. Mr. Sherman’s newest releases on Avie Records are a CD of Debussy’s Estampes, Images Book II and Préludes Book II, and a DVD of his live performance of Liszt’s Études d’exécution transcendante. Recently, Mr. Sherman performed and recorded the complete sonatas of Mozart, the Bach English Suites, and the complete Chopin Mazurkas.

Russell Sherman was born and educated in New York, beginning piano studies at age six. By age eleven, Mr. Sherman was studying with Eduard Steuermann, a pupil and friend of Ferruccio Busoni and Arnold Schoenberg. Sherman graduated from Columbia University at age nineteen with a degree in the humanities. He was Visiting Professor at Harvard University and is currently a Distinguished Artist-in-Residence at the New England Conservatory. With a brilliant career and creative imagination, Sherman continues to merit the title “a thinking man’s virtuoso.”

The festival presented seven concerts altogether, including a landmark US premiere by Jean Barraque, performed by Rachel Field, and works by Linda Dusman and Donald Wheelock, both composers speaking about their music.  One of the festival 2010 significant focus, performer-composers, included Robert Dick playing his own music and Marc Ponthus playing Outis.

Sequenza21 on Robert Dick’s recital of June 17
“Robert Dick was a name we heard in graduate school, spoken by flutists and composers alike in hushed, almost reverent tones.”

TimeTable percussion at Le Poisson Rouge June 20
“the vital, fresh installment the festival staged at Le Poisson Rouge on Sunday”

• Marc Ponthus, Founder & Director, IFCP
• Allen Blustine, Associate Director, IFCP
• Mario Davidovsky
• Linda Dusman
• Alan Fletcher
• Joel Krosnick
• Mary Madigan
• Charles Rosen
• Rolf Schulte
• Russell Sherman



The group specializes in music that crosses boundaries of style and discipline, with an emphasis on works that challenge the language and materials of percussion music. TimeTable collaborates closely with emerging and established composers to investigate and expand the possibilities for percussion-based music, and commissions, premieres, and records an ever-growing body of new works.

TimeTable maintains an active performance schedule including concerts in New York City and beyond, and collaborations with other ensembles and composer collectives. Through its school programs and master classes, the group offers insight into contemporary percussion music and the process of composer-performer collaboration.

TimeTable has performed extensively in and around New York City and the Northeast, including performances and workshops at the Mannes College of Music’s Institute and Festival for Contemporary Performance, The Juilliard Summer Percussion Seminar, Manhattan School of Music, Williams College, MIT, Boston Conservatory, and Bates College. Collaborations with composer collectives and other organizations have included those with Wet Ink, Columbia Composers, Three Two Festival, and Forecast Music.

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